Martina Reisz Newberry is the author of 8 books of poetry. She has been awarded residencies at Yaddo Colony for the Arts, Djerassi Colony for the Arts, and Anderson Center for Disciplinary Arts. Passionate in her love for Los Angeles, Martina currently lives there with her husband, Brian, a Media Creative.
“Glyphs”
One delightful feature of this collection is that Martina Reisz Newberry can sing to the wind, the sea and the stars then turn around and write a tribute as strikingly specific and sharply observed as “Small Spring on the Property,” which tells the tale of “Hazel,” who resided in “a trailer in Bentonia, Mississippi/on an acre of land owned by a great-uncle…” where she hid “…from her ex/who threatened to kill her if he ever found her/for taking their big screen t.v. with her/when she left him for the last time,/while he showered.”
Whether shadowed by doubt or traced with a feminist sense of injustice, whether wistful or exultant or humorous, however various the subject matter, the poems of Glyphs have this in common: a sense of wonder at existence and Martina Reisz Newberry’s generous and forgiving passion for life.
Suzanne Lummis lives in Los Angeles where she is the director of the Los Angeles Poetry Festival, award-winning teacher with UCLA Extension Her most recent book is “24 Hours.”
“Never Completely Awake”
These poems are driven by a passion both sexual and scriptural through configurations of surrender to instinctive logic and imaginative opportunities. Nothing is lost upon her.
Gerald Locklin, author of “Poets and Pleasure Seekers”
“Glyphs” available at https://www.deerbrookeditions.com/glyphs/
“Never Completely Awake” available at https://www.deerbrookeditions.com/never-completely-awake/
When Flowers Bend In The Breeze
This morning, I complimented Sadie
on her makeup. “Going somewhere special?” I asked.
She shrugged her shoulders,
looked at the neighbor’s
Night Blooming Jasmine bush,
looked out at the street.
I thought I’d walk myself over
to Sunset and Cahuenga,
get some food, watch the flowers
bend in the breeze if you get my meaning.
I told her that Sunset and Cahuenga
wasn’t a nice area.
I know, said Sadie.
I like that corner. The working girls
look like girls who actually work:
not much frippery or outrageous hair,
average-looking clothes, though tight,
maybe an unbuttoned blouse
or a barely-there tank top.
It’s almost a little bland for hookers.
They are mostly sad, said our Sadie,
even when smiling and teasing.
There’s a pizza place there, too.
I might get a pizza.
I heard that hookers like pizza.
Sadie looks for sadness.
Often, she has to rearrange
her griefs to match the seasons
so as to be sad
at the appropriate events.
I thought about going along.
I asked if I might join her.
She shook her head. No, she said.
You’re mostly just a watcher.
You wouldn’t fit in. I thought
how much I liked pizza.
I decided she didn’t fit in either.
I hugged Sadie, said “Toodle-Loo,”
and left to buy milk.
Later, I recalled the afternoon
we went to a seedy bar
Sadie’s choice for cheap cocktails–
Bloody Marys with wilted celery sticks
which I swore had been rescued
from finished drinks–rinsed and reused.
While there, a working girl
with amazing makeup
tapped Sadie on the shoulder.
“You working tonight, Honey?” she asked.
Sadie laughed, said No, not tonight,
and winked at me.
I’ve always been curious about that.
When I asked, Sadie said
she doesn’t remember it.